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The Puritans (I puritani) tickets

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The Puritans (I puritani)

Venue: Gran Teatre del Liceu

 
La Rambla, 51-59
08002 Barcelona
Spain
 
 
All dates
Season 2018
 

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Next performance (see season calendar above for other dates)
The Puritans (I puritani)
Sun 21 October 2018
1
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18:00 Gran Teatre del Liceu 257 € Add to cart
 
2
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3
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4
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5
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Event details
 
Composer: Vincenzo Bellini

Synopsis

Place: England during the English Civil War
Time: 1640s

 

Act 1

Scene 1: A fortress near Plymouth, commanded by Lord Gualtiero Valton

At daybreak, the Puritan soldiers gather in anticipation of victory over the Royalists. Prayers are heard from within, and then shouts of joy as the ladies and gentlemen of the castle come out announcing news of Elvira's wedding. Left alone, Riccardo shares with Bruno his plight: Riccardo had been promised Elvira's hand in marriage by her father Lord Valton but, returning to Plymouth the previous evening, he has found that she is in love with Arturo (a Royalist), and will marry him instead. He confides in Bruno. (Aria: Ah! Per sempre ...Bel sogno beato / "Ah! Forever have I lost you, flower of love, oh my hope; ah! life from now on will be full of sorrow".) As he pours out his sorrows to Bruno, Riccardo is called upon by his soldiers to lead them but he declares "I am aflame, but the flame is love, not glory".

Scene 2: Elvira's apartments

Elvira welcomes Giorgio, her uncle, with fatherly love, but when he tells her that she will soon be married, she is horror-struck. (Aria, then extended duet: Sai com'arde in petto mio / bella fiamma onnipossente / "You know that my breast burns with overwhelming passion".) She continues, stating a determination never to be married. But when Giorgio tells her that her cavalier, Arturo, will be coming, he reveals that it was he who persuaded her father, Lord Valton, to grant Elvira's wish. She is overjoyed. Then the sound of trumpets is heard announcing Arturo's arrival; he is welcomed by all.

Scene 3: The Hall of Arms

Arturo and his squires come into the hall and are joined by Elvira, Valton, Giorgio and the ladies and gentlemen of the castle. After a general welcome from all assembled, Arturo expresses his new-found happiness. (Aria, Arturo; then Giorgio and Walton; then all assembled: A te, o cara / amore talora / "In you beloved, love led me in secrecy and tears, now it guides me to your side".)

Valton tells everyone that he will not be able to attend the wedding ceremony and he provides Arturo with a safe conduct pass. A mysterious lady appears, and Valton tells her that he will be escorting her to London to appear before Parliament. Arturo is curious. Giorgio tells him that she is suspected of being a Royalist spy. As Elvira leaves to prepare herself for the wedding and the others depart in various directions, Arturo hangs back and finds the mysterious lady alone. He discovers that she is Enrichetta (Henrietta Maria), widow of the executed King Charles I. Insisting that she not be concerned about Elvira, Arturo vows to save her: (Aria, Riccardo; then Enrichetta; then together: Non parlar di lei che adoro, / di valor non mi spogliar / "Do not speak of her whom I adore; do not take away my courage. You shall be saved, oh unhappy woman.")

Observed by Arturo and Enrichetta, Elvira appears singing a joyful polonaise (Son vergin vezzosa / "I am a pretty maiden dressed for her wedding"), but she engages the Queen in conversation asking for help with the ringlets of her hair. To allow that to happen, she removes her wedding veil and places it over Enrichetta's head. Both Arturo and Enrichetta realise that this may allow them to escape, and as they proceed, they are challenged by Riccardo who believes the woman to be Elvira. He almost provokes a fight with Arturo until he discovers that she is not Elvira; then, he is content to allow them to pass, swearing not to reveal any information.

When the wedding party enters, they ask for Arturo, then learn, largely from Riccardo, that he has fled with Enrichetta. Pursuit is organised. Becoming increasingly distraught, Elvira believes that she sees Arturo: (Aria; then ensemble: Oh, vieni al tempio, fedele Arturo / "Ah! come, ah! come! Oh! come to the church, faithful Arturo".) It is increasingly clear that she has gone mad.

 

Act 2

A room in the fortress

As the ladies and gentlemen of the castle are mournful for Elvira's totally downcast state of mind, Giorgio describes her madness: (Aria: Cinta di fiori / "Garlanded with flowers and with her lovely hair disheveled, sometimes the beloved maiden wanders about...") and he describes her flights into madness and her pleas for Arturo to return. Riccardo brings the news that Arturo is now a fugitive who has been condemned to death by Parliament for allowing Enrichetta to escape. Giorgio states that the only hope for Elvira will be a sudden joyous experience. Elvira is heard outside, still deranged but longing for Arturo: "Either give me back hope, let me die" she cries. As she enters, she expresses all her longing: Elvira, aria: Qui la voce ... Vien, diletto / "Here his sweet voice called me...and then vanished. Here he swore to be true, here he swore it, and then, cruel man, he fled!".

Entering, she confronts her uncle and Riccardo, whom she fails to recognise, even in her moments of lucidity. She addresses him as if he were Arturo: (Elvira, cabaletta: Vien, diletto, è in ciel la luna / "Come, beloved, the moon is in the sky, Everything is silent, until the dawn breaks in the sky"). The two men encourage Elvira to return to her room.

For Elvira's sake, Giorgio encourages Riccardo to help save his rival, advising that he will forever be pursued by their phantoms. Riccardo rejects the request: (Giorgio, then Riccardo, then duet: Il rival salvar du déi, / il rival salvar tu puoi/ "You must save your rival, you can save your rival"), but gradually Riccardo comes around to accept that idea. However, he states that if in the following day's battle, Arturo appears, he will perish at his hand. The two men now have an agreement: (Finale: Giorgio, then Riccardo, then together: Suoni la tromba / "Let the battle-cry be: country, victory, victory and honour. Let the trumpets sound, and I shall fight strongly, fearlessly."

 

Act 3

A wooded area near the fortress, three months later

Arturo is still on the run. He is exhausted and has returned seeking Elvira. Suddenly he hears the sounds of singing coming through the woods: (Elvira, aria: A una fonte afflitto e solo / s'assideva un trovator / "A troubadour sat sad and lonely by a fountain"). He calls out, but gets no response and, recalling how the couple used to sing together in the woods, he also sings the troubadour melody until the sound of drumbeats and the shouting of soldiers silences him. He covers himself and hides as a group of soldiers passes, then emerges and decides to continue singing to the same melody: (Arturo, aria: Corre a valle, corre a monte / l'esiliato pellegrin / "Through the valleys, over the mountains, hastens the exiled pilgrim")

Unseen, Elvira emerges from the trees and stops to listen. She is saddened when the singing stops, and she sorrowfully wonders where Arturo is. Suddenly, he is standing before her and they are reunited in a spirited duet in which they declare that they will always be together after the long months of being apart. Still a little confused, Elvira believes that Arturo has married the woman whom he escorted from the fortress; he assures Elvira that he has always loved her, that the lady who was in great danger was the queen: (Arturo; then Elvira; then together). Having determined that they love each other and that they will always remain together, they enter into an ecstatic duet. (Arturo: Vieni fra queste braccia / "Come, come to my arms"; Elvira: Caro, caro, non ho parole / "Dearest, dearest, I cannot find the words to express my happiness"; then together).

At the sound of drums being heard, Elvira appears to be returning to a state of madness, fearing that they will again be parted. Then soldiers' voices are heard close by and Riccardo, Giorgio, and the ladies and gentlemen of the fortress enter announcing Arturo's death sentence. With that, she finally comes to her senses.

An ensemble, beginning with Arturo (Credeasi, misera / "Unhappy girl, she believed that I had betrayed her") extends to all assembled, each expressing his or her anguish, with even Riccardo being moved by the plight of the lovers.

[For this extended piece, Bellini wrote a high F-natural above C5 for Arturo's .....crudeli, crudeli! / Ella è tremante, / ella è spirante; / anime perfide, / sorde a pietà! / "cruel men, cruel men! She is trembling, she is fainting, perfidious souls, deaf to pity!"]

The soldiers continue to demand Arturo's execution, but the sounds of a herald arriving are heard. He brings letters which are opened by Riccardo and Giorgio. They announce that although the Royalists have been defeated, Oliver Cromwell has pardoned all prisoners. The ensemble expresses its general and its personal joy.

 
Program details
 


CONDUCTOR: Christopher Franklin
STAGE DIRECTOR: Annilese Miskimmon
COREOGRAPHY: Kally Lloyd-James
SET DESIG AND COSTUMES: Leslie Travers
LIGHTING: Mark Jonathan
COPRODUCTION: Welsh National Opera, Danish National Opera and Gran Teatre del Liceu
SYMPHONY ORCHESTRA AND CHORUS OF THE LICEU OPERA BARCELONA
DIRECTOR OF THE CHORUS: Conxita Garcia

Cast

Lord Gualtiero Valton: Gianfranco Montresor
Lord Giorgio: Marko Mimica - 5th,8th,11th,14th,19th October
Fernando Radó - 7th,10th,13th,16th,21th October
Lord Arturo Talbo: Javier Camarena - 5th,8th,11th,14th,19th October
Celso Albelo - 7th,10th,13th,16th,21th October
Sir Riccardo Forth: Mariusz Kwiecien - 5th,8th,11th,14th,19th October
Andrei Kymach - 7th,10th,13th,16th,21th October
Sir Bruno Roberton: Emmanuel Faraldo
Enrichetta Di Francia: Lidia Vinyes-Curtis
Elvira: Pretty Yende - 5th,8th,11th,14th,19th October
María José Moreno - 7th,10th,13th,16th,21th October
 

 
Venue
 
Gran Teatre del Liceu
 

Barcelona's opera house, the Gran Teatre del Liceu, was founded on the Rambla in 1847 and has continued over the years to fulfil its role as a culture and arts centre and one of the symbols of the city.

Today it is publicly-owned (by the Government of Catalonia, Barcelona City Council, Barcelona Provincial Council and the Ministerio de Educación, Cultura y Deporte) and administered by the Fundació del Gran Teatre del Liceu which, in addition to the aforementioned bodies, incorporates the Patronage Council and the Societat del Gran Teatre del Liceu (the old society of owners).
 

Origins: From 1837 to 1847

The Liceu evolved out of the Sociedad Dramática de Aficionados (Society of theatre-lovers) set up in 1837 at the instigation of Manuel Gibert in the former convent of Montsió by members of the National Militia, an organization of armed citizens with liberal leanings.
Barcelona's economy and population were growing fast at the time and the city needed a music conservatory. This led to the conversion of the Sociedad Dramática into the Liceo Filármonico Dramático Barcelonés de S.M. la Reina Isabel II (Barcelona Dramatic and Philharmonic Lyceum of HM Queen Isabel II).  In addition to its theatrical activities, the new organization cultivated Italian-style singing and music.
 

The building on the Rambla

The original building was solemnly opened on 4 April 1847. The plans had been drawn up by Miquel Garriga i Roca, subsequently assisted by Josep Oriol Mestres. The project was funded by selling shares, which meant that many of the boxes and seats were to be privately owned. The shareholders formed the Societat del Gran Teatre del Liceu, known as the “Societat de Propietaris” (Society of Owners),  which was in sole charge of running the Gran Teatre del Liceu from 1855 onwards, after it was legally separated from the Conservatori del Gran Teatre del Liceu.
The theatre was operated by impresarios who were given a concession to stage a specific number of productions in exchange for the proceeds from the sale of tickets not reserved for the Societat itself. This system was to endure until 1980.
 

The creation of the Consortium

By the last quarter of the 20th century this management system was no longer viable. In 1980, to avert the danger of the disappearance of an institution of such worldwide cultural renown, the Generalitat  Catalonia's first government in modern times – set up a consortium, the Consorci del Gran Teatre del Liceu, which also incorporated Barcelona City Council and the Societat del Gran Teatre del Liceu. Barcelona Provincial Council joined the Consortium in 1985, followed by the Spanish Ministry of Culture in 1986. From then on the Consortium took over operation of the theatre.

 
 
LATEST NEWS
Gran Teatre del Liceu NEW SEASON 2018-2019
 
Buy online tickets for events at Gran Teatre del Liceu in Barcelona. Opera and concert tickets at Gran Teatre del Liceu in Barcelona. Barcelona Opera tickets online booking. Barcelona concert tickets online booking.
 
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