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Gran Teatre del Liceu NEW SEASON 2017-2018
 
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Andrea Chénier tickets

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Andrea Chénier

Venue: Gran Teatre del Liceu

 
La Rambla, 51-59
08002 Barcelona
Spain
 
 
All dates
Season 2018
 

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Next performance (see season calendar above for other dates)
Andrea Chénier
Fri 09 March 2018
1
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20:00 Gran Teatre del Liceu 350 € Add to cart
 
2
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20:00 Gran Teatre del Liceu 279 € Add to cart
 
3
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20:00 Gran Teatre del Liceu 248 € Add to cart
 
4
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20:00 Gran Teatre del Liceu 205 € Add to cart
 
5
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20:00 Gran Teatre del Liceu 155 € Add to cart
 
6
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20:00 Gran Teatre del Liceu 105 € Add to cart
 
 
Andrea Chénier
Sat 10 March 2018
1
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20:00 Gran Teatre del Liceu 279 € Add to cart
 
2
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20:00 Gran Teatre del Liceu 200 € Add to cart
 
3
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20:00 Gran Teatre del Liceu 178 € Add to cart
 
4
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20:00 Gran Teatre del Liceu
On request
 
5
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20:00 Gran Teatre del Liceu 111 € Add to cart
 
6
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No tickets available
 
 
Andrea Chénier
Mon 12 March 2018
1
Hour Hall Price Tickets Buy
20:00 Gran Teatre del Liceu 350 € Add to cart
 
2
Hour Hall Price Tickets Buy
20:00 Gran Teatre del Liceu
On request
 
3
Hour Hall Price Tickets Buy
20:00 Gran Teatre del Liceu 248 € Add to cart
 
4
Hour Hall Price Tickets Buy
20:00 Gran Teatre del Liceu 205 € Add to cart
 
5
Hour Hall Price Tickets Buy
20:00 Gran Teatre del Liceu 155 € Add to cart
 
6
Hour Hall Price Tickets Buy
20:00 Gran Teatre del Liceu 105 € Add to cart
 
 
 
Event details
 
Composer: Umberto Giordano

Synopsis

Time: 1789-94.
Place: In and around Paris.

Act 1

Palace of the Countess of Coigny

Servants are preparing the Palace for a ball. Carlo Gérard, the majordomo, is filled with indignation at the sight of his aged father, worn out by long years of heavy labour for their noble masters. Only the Countess' daughter Maddalena escapes his hatred, since he is besotted with her. Maddalena jokes with Bersi, her mulatto servant girl. The Countess rebukes Maddalena for dallying around when she should be dressing for the ball.

The guests arrive. Among them is an Abbée who has come from Paris with news about the poor decisions of King Louis XVI's government. Also among the guests is the dashing and popular poet, Andrea Chénier.

The soirée begins with a "pastoral" performance. A chorus of shepherds and shepherdesses sing idealised rustic music and a ballet mimics a rural love story in stately court fashion. The Countess asks Chénier to improvise a poem but he says that inspiration has abandoned him. Maddelena asks Chénier to recite a verse, but he refuses her also, saying that "Fantasy is not commanded on cue." The laughter of the girls draws the Countess' attention, and Maddelena explains mockingly that the Muse of poetry is absent from the party. Chénier now becomes angry and improvises a poem about the suffering of the poor, ending with a tirade against those in power in church and state, shocking the guests. Maddalena begs forgiveness.

The guests dance a gavotte, which is interrupted by a crowd of ragged people who ask for food, Gérard ushers them in announcing that "Her Greatness, Misery" has arrived to the party. The Countess confronts Gérard who repudiates his service and throws his livery at the feet of the Countess, taking his father with him, who threw himself at the feet of the Countess. She orders them all out, and comforts herself by thoughts of her gifts to charity. The ball continues as if nothing had happened.

 

Act 2

Café Hottot in Paris, during the Reign of Terror

Bersi, now a merveilleuse, chats with an incroyable. She asks him if he is he a spy for Robespierre, but he says that he is a mere "observer of the public spirit". Bersi asserts she has nothing to hide as "a child of the Revolution".

A tumbrel passes, bearing condemned prisoners to the guillotine, mocked by the crowd. Bersi leaves. The Incroyable notes that she was with a blonde woman he is looking for; he also notes that Chénier is at a nearby table waiting nervously and that Bersi had made signs at him.

Chénier's friend Roucher enters. He reminds Chénier that he is under suspicion for his association with disgraced General Dumoriez and urges him to flee. He offers Chénier a false passport. Chénier refuses: his destiny is love; he has been waiting for a mysterious woman who has sent him letters. Roucher sees the last letter, and dismisses it as from a prostitute and he warns Chénier that love is dangerous during the Révolution. He persuades Chénier to take the passport.

A procession of revolutionary leaders passes, including Robespierre and Gérard, who enters the café. The Incroyable reports to him about Bersi and the possible connection with the blonde, whom Gérard has been seeking, saying that she will come to the café that night. Bersi returns, and pleads with Roucher to keep Chénier there. She leaves for a dance with the Incroyable. Roucher persuades Chénier to leave, but the old woman Madelon tells Chénier to wait for a woman called "Speranza" (Hope); all leave, except the Incroyable, who returns and hides.

A hooded woman enters. It is "Speranza". She uncovers herself, and Chénier recognizes her as Maddalena de Coigny. The Incroyable leaves to tell Gérard. Despite the danger, Chénier and Maddalena proclaim their love in a passionate duet.

As they prepare to leave they are discovered by Gérard. Chénier sends Maddalena away with Roucher and wounds Gérard in a swordfight. Believing he is dying, Gérard warns Chénier to flee from the wrath of the prosecutor Fouquier-Tinville, Chénier's enemy, and asks him to protect Maddalena. The Incroyable returns with soldiers and a crowd, but Gérard tells them that his assailant is unknown to him. All blame the Girondists.

 

Act 3

The Revolutionary Tribunal

The sans-culotte Mathieu calls on the people to give money for the army of the Revolution, but they refuse. Gérard, who has recovered, enters and renews the appeal and the people react with enthusiasm. A blind woman comes in with her grandson, whom she gives to be a soldier of the Revolution. The crowd disperses.

The Incroyable reports to Gérard that Chénier has been arrested in the Parisian suburb of Passy and interned in the Luxembourg Palace, and it is only a matter of time before Maddalena will come for him. He urges Gérard to write down the charges against Chénier for his trial. Gérard hesitates but the Incroyable convinces him that a conviction by the Tribunal will only secure Maddalena's appearance. Alone, he muses that his Revolutionary ideals are being betrayed by his false charges, therefore he is still a slave: formerly of the nobles, now of his own lust. Finally desire triumphs and he signs the indictment in a mood of cynicism. (Gérard: "Nemico della patria?!") The Incroyable takes it to the Tribunal.

Maddalena enters to plead for Chénier's life. Gérard admits that he had Chénier arrested to control Maddalena. He has been in love with her since they were children and he remembers the time when they were allowed to play together in the fields of her house, how when he was handed his first livery, he watched in secret Maddalena learning to dance at the time when he was in charge of opening doors, but now he is a powerful man and will have his way. Maddalena refuses: she will shout out her name in the streets and be executed as an aristocrat, but if her virtue is the price for Chénier's life, then Gérard can have her body.

Gérard is about to take her but recoils when he realizes the love that she professes for Chénier. Maddalena sings how the mob murdered her mother and burned her palace, how she escaped, and how Bersi became a prostitute to support them both. She laments how she brings disgrace to all that she loves and finally how Chénier was the force that gave life back to her.

Gérard searches for the indictment to cancel it, but it has already gone. He pledges to save Chénier's life even at the cost of his own. A clerk presents the list of accused persons, including Chénier. A crowd of spectators enter, then the judges, presided over by Fouquier-Tinville, then the prisoners. One by one, the prisoners are hastily condemned. When Chénier is tried, he denies all the charges, and proclaims his honour.

Chénier's plea has moved everyone and Fouquier-Tinville is forced to take up witnesses. Gérard approaches the Tribunal and confesses to the falsity of his indictment but Fouquier-Tinville takes up the charges himself. Gérard defies the Tribunal: justice has become Tyranny, and "we murder our poets."

Chénier embraces Gérard, who points out Maddalena in the crowd. The Tribunal condemns Chénier to death and he is led off with the other prisoners.

 

Act 4

St. Lazare Prison

Chénier awaits his execution with Roucher, writing verses of his faith in truth and beauty. Roucher leaves, as Mathieu sings the Marseillaise outside.

Maddalena enters with Gérard for a last meeting with Chénier. Maddalena bribes the jailer Schmidt to let her change places with a condemned noblewoman. Gérard leaves to make a last appeal to Robespierre.

The lovers sing about their love and their deliverance from this world after death. As dawn approaches, Schmidt calls their names. They go to face the guillotine joined in love.

 
Program details
 

TEAM & CAST

CONDUCTOR
Pinchas Steinberg

STAGE DIRECTOR
David McVicar

COREOGRAPHY
Andrew George

SET DESIGNER
Robert Jones

COSTUME DESIGNER
Jenny Tiramani

LIGHTING DESIGNER
Adam Silverman

PRODUCTION
Royal Opera House Covent Garden (London)

SYMPHONY ORCHESTRA AND CHORUS OF THE LICEU OPERA BARCELONA

DIRECTOR OF THE CHORUS
Conxita Garcia


Andrea 
- Chénier Jonas Kaufmann    9th,12th,15th March
- Jorge de León    10th,13th,17th,19th,22th,25th,28th March
- Antonello Palombi    18th,21th,24th,27th March

Carlo Gérard
- Carlos Álvarez    9th,12th,15th,18th,21th,24th,27th March
- Michael Chioldi    10th,13th,17th,19th,22th,25th,28th March

Maddalena de Coigny
- Sondra Radvanovsky    9th,12th,15th,18th,21th,24th,27th March
- Julianna Di Giacomo    10th,13th,17th,19th,22th,25th,28th March

Bersi
- Yulia Mennibaeva    9th,12th,15th,18th,21th,24th,27th March
- Gemma Coma-Alabert    10th,13th,17th,19th,22th,25th,28th March

Countess of Coigny    
- Sandra Ferrández    

Madelon
- Anna Tomowa-Sintow    9th,12th,15th,18th,21th,24th,27th March
- Elena Zaremba    10th,13th,17th,19th,22th,25th,28th March

Roucher    
- Fernando Radó    

Pietro Fléville
- Toni Marsol    

Fouquier Tinville    
- Fernando Latorre    

Mathieu    
- Manel Esteve    

The Incredible
- Francisco Vas    

Abate    
- Marc Sala    

Majordomo / Schmidt    
- Christian Díaz

 
Venue
 
Gran Teatre del Liceu
 

Barcelona's opera house, the Gran Teatre del Liceu, was founded on the Rambla in 1847 and has continued over the years to fulfil its role as a culture and arts centre and one of the symbols of the city.

Today it is publicly-owned (by the Government of Catalonia, Barcelona City Council, Barcelona Provincial Council and the Ministerio de Educación, Cultura y Deporte) and administered by the Fundació del Gran Teatre del Liceu which, in addition to the aforementioned bodies, incorporates the Patronage Council and the Societat del Gran Teatre del Liceu (the old society of owners).
 

Origins: From 1837 to 1847

The Liceu evolved out of the Sociedad Dramática de Aficionados (Society of theatre-lovers) set up in 1837 at the instigation of Manuel Gibert in the former convent of Montsió by members of the National Militia, an organization of armed citizens with liberal leanings.
Barcelona's economy and population were growing fast at the time and the city needed a music conservatory. This led to the conversion of the Sociedad Dramática into the Liceo Filármonico Dramático Barcelonés de S.M. la Reina Isabel II (Barcelona Dramatic and Philharmonic Lyceum of HM Queen Isabel II).  In addition to its theatrical activities, the new organization cultivated Italian-style singing and music.
 

The building on the Rambla

The original building was solemnly opened on 4 April 1847. The plans had been drawn up by Miquel Garriga i Roca, subsequently assisted by Josep Oriol Mestres. The project was funded by selling shares, which meant that many of the boxes and seats were to be privately owned. The shareholders formed the Societat del Gran Teatre del Liceu, known as the “Societat de Propietaris” (Society of Owners),  which was in sole charge of running the Gran Teatre del Liceu from 1855 onwards, after it was legally separated from the Conservatori del Gran Teatre del Liceu.
The theatre was operated by impresarios who were given a concession to stage a specific number of productions in exchange for the proceeds from the sale of tickets not reserved for the Societat itself. This system was to endure until 1980.
 

The creation of the Consortium

By the last quarter of the 20th century this management system was no longer viable. In 1980, to avert the danger of the disappearance of an institution of such worldwide cultural renown, the Generalitat  Catalonia's first government in modern times – set up a consortium, the Consorci del Gran Teatre del Liceu, which also incorporated Barcelona City Council and the Societat del Gran Teatre del Liceu. Barcelona Provincial Council joined the Consortium in 1985, followed by the Spanish Ministry of Culture in 1986. From then on the Consortium took over operation of the theatre.

 
 
LATEST NEWS
Gran Teatre del Liceu NEW SEASON 2017-2018
 
Buy online tickets for events at Gran Teatre del Liceu in Barcelona. Opera and concert tickets at Gran Teatre del Liceu in Barcelona. Barcelona Opera tickets online booking. Barcelona concert tickets online booking.
 
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