en
en v
Phone
Cart0 Tickets
Total: 0
Account
Calendar
Search
Menu

War Requiem

VenueGran Teatre del Liceu
CalendarSun 20 Jun 2027
Synopsis/Details

'War Requiem': a tribute to the power of music as a space for protest, compassion and hope

 

There are works that are not only listened to, but also breathed, suffered, and ultimately become a gesture of collective memory. The War Requiem, by Benjamin Britten, belongs to that rare list of creations which, since its birth in 1962, were conceived not to move the listener, but to open a lucid wound in the world’s conscience.

In presenting it at the Liceu, Jonathan Nott begins his tenure as principal conductor with an act of profound symbolism: a tribute to the power of music as a space for protest, compassion and hope.

 

Nott, known for his analytical clarity and a sensitivity capable of uniting precision and transcendence, delves into this monumental score with the conviction that Britten does not write a requiem for the dead, but for the living. His conducting, always attentive to detail yet open to dramatic breath, brings out the two souls of the work: the solemn Latin liturgy —with its echo of centuries— and the devastating poems of Wilfred Owen, a young poet killed in the First World War. Between these two poles unfolds a struggle that is not military but moral: the fight to preserve humanity amid horror.

The Liceu thus becomes a sonic temple in which three worlds converge: the massed choir embodying the voice of the people; the children’s choir, fragile and luminous like a promise of the future; and the soloists, who take on the intimate drama of the individual caught in tragedy.

The War Requiem offers no easy consolation. Britten makes fallen enemies speak to one another, reveals the fragility of certainties, and reminds us that war, in any form, leaves only devastation. Yet at the same time, it hints at a light: that thin crack of humanity that persists even in the darkest night. Jonathan Nott thus delivers an eloquent message: the theatre, like art, is a space to confront pain and to imagine, with lucidity and courage, a different future.

Cast

Soprano: Irina Lungu

Tenor: Allan Clayton

Baritone: Christian Gerhaher

Chorus of the Gran Teatre del Liceu - Director, Pablo Assante

Symphony Orchestra of the Gran Teatre del Liceu - Conductor, Jonathan Nott

Venue
Gran Teatre del Liceu

Barcelona's opera house, the Gran Teatre del Liceu, was founded on the Rambla in 1847 and has continued over the years to fulfil its role as a culture and arts centre and one of the symbols of the city.

Today it is publicly-owned (by the Government of Catalonia, Barcelona City Council, Barcelona Provincial Council and the Ministerio de Educación, Cultura y Deporte) and administered by the Fundació del Gran Teatre del Liceu which, in addition to the aforementioned bodies, incorporates the Patronage Council and the Societat del Gran Teatre del Liceu (the old society of owners).
 

Origins: From 1837 to 1847

The Liceu evolved out of the Sociedad Dramática de Aficionados (Society of theatre-lovers) set up in 1837 at the instigation of Manuel Gibert in the former convent of Montsió by members of the National Militia, an organization of armed citizens with liberal leanings.
Barcelona's economy and population were growing fast at the time and the city needed a music conservatory. This led to the conversion of the Sociedad Dramática into the Liceo Filármonico Dramático Barcelonés de S.M. la Reina Isabel II (Barcelona Dramatic and Philharmonic Lyceum of HM Queen Isabel II).  In addition to its theatrical activities, the new organization cultivated Italian-style singing and music.
 

The building on the Rambla

The original building was solemnly opened on 4 April 1847. The plans had been drawn up by Miquel Garriga i Roca, subsequently assisted by Josep Oriol Mestres. The project was funded by selling shares, which meant that many of the boxes and seats were to be privately owned. The shareholders formed the Societat del Gran Teatre del Liceu, known as the “Societat de Propietaris” (Society of Owners),  which was in sole charge of running the Gran Teatre del Liceu from 1855 onwards, after it was legally separated from the Conservatori del Gran Teatre del Liceu.
The theatre was operated by impresarios who were given a concession to stage a specific number of productions in exchange for the proceeds from the sale of tickets not reserved for the Societat itself. This system was to endure until 1980.
 

The creation of the Consortium

By the last quarter of the 20th century this management system was no longer viable. In 1980, to avert the danger of the disappearance of an institution of such worldwide cultural renown, the Generalitat  Catalonia's first government in modern times – set up a consortium, the Consorci del Gran Teatre del Liceu, which also incorporated Barcelona City Council and the Societat del Gran Teatre del Liceu. Barcelona Provincial Council joined the Consortium in 1985, followed by the Spanish Ministry of Culture in 1986. From then on the Consortium took over operation of the theatre.

Accomodation

Buy now

Gift vouchers

Gift someone an unforgettable night at the opera.
Choose a gift coupon and let them pick the performance they love—music, drama, and world-class artistry, all in one elegant experience.
Barcelona Opera Tickets
Facebook
Payment
© 2026 RM EUROPA TICKET GmbH
Whatsapp