en
en v
Phone
Cart0 Tickets
Total: 0
Account
Calendar
Menu

Nocturnal Correspondences

VenueGran Teatre del Liceu
CalendarWed 01 Apr 2026 - Thu 02 Apr 2026
Synopsis/Details

 

Nocturnal Correspondences – Thierry Malandain | Cathy Marston
Ballet
Duration: 1h45 with 1 interval

 

Literature, music, women and the love triangle: these are central themes in the work of Cathy Marston, who has previously devoted pieces to Clara Schumann and Jacqueline du Pré. For her debut at the Opéra national de Paris, the British choreographer brings together her favorite themes in a new creation dedicated to George Sand.

 

Set to a score by Philip Feeney, she explores the passion between the writer and Frédéric Chopin, the mother–daughter relationship, as well as the process of artistic creation.

 

In a subtle play of correspondences, her creation resonates with Nocturnes (2014) by Thierry Malandain, a work for 22 dancers entering the repertoire of the Paris Opera.

 

The choreographer combines the emotional states and fragility characteristic of Romanticism with the Danse Macabre of the Middle Ages, evoking in this ballet of profound melancholy the passage of time and our mortality.

  • Overture
    • 0 min --- Nocturnal Correspondences, New Season
  • Part One
    • – 35 min -- Palais Garnier, Paris, France, tickets, reservation
  • Interval
    • – 20 min -- Palais Garnier, Paris, France, tickets, reservation
  • Part Two
    • – 50 min -- Palais Garnier, Paris, France, tickets, reservation
  • End
    • 0 min --- Nocturnal Correspondences, New Season
Cast

Nocturnes – Entry into the repertoire
Thierry Malandain – Choreography
Frédéric Chopin – Music (1810–1849)
Jorge Gallardo – Costumes
Jean-Claude Asquié – Lighting

 

Creation
Cathy Marston – Choreography, dramaturgy and libretto
Frédéric Chopin – Music (1810–1849)
Philip Feeney – Music (1954)
Edward Kemp – Dramaturgy, libretto
Patrick Kinmonth – Sets and costumes
Martin Gebhardt – Lighting

 

With the Étoiles, Principal Dancers, Soloists and the Corps de Ballet of the Opera

 

Overture
Part One – 35 min
Interval – 20 min
Part Two – 50 min
End

Venue
Gran Teatre del Liceu

Barcelona's opera house, the Gran Teatre del Liceu, was founded on the Rambla in 1847 and has continued over the years to fulfil its role as a culture and arts centre and one of the symbols of the city.

Today it is publicly-owned (by the Government of Catalonia, Barcelona City Council, Barcelona Provincial Council and the Ministerio de Educación, Cultura y Deporte) and administered by the Fundació del Gran Teatre del Liceu which, in addition to the aforementioned bodies, incorporates the Patronage Council and the Societat del Gran Teatre del Liceu (the old society of owners).
 

Origins: From 1837 to 1847

The Liceu evolved out of the Sociedad Dramática de Aficionados (Society of theatre-lovers) set up in 1837 at the instigation of Manuel Gibert in the former convent of Montsió by members of the National Militia, an organization of armed citizens with liberal leanings.
Barcelona's economy and population were growing fast at the time and the city needed a music conservatory. This led to the conversion of the Sociedad Dramática into the Liceo Filármonico Dramático Barcelonés de S.M. la Reina Isabel II (Barcelona Dramatic and Philharmonic Lyceum of HM Queen Isabel II).  In addition to its theatrical activities, the new organization cultivated Italian-style singing and music.
 

The building on the Rambla

The original building was solemnly opened on 4 April 1847. The plans had been drawn up by Miquel Garriga i Roca, subsequently assisted by Josep Oriol Mestres. The project was funded by selling shares, which meant that many of the boxes and seats were to be privately owned. The shareholders formed the Societat del Gran Teatre del Liceu, known as the “Societat de Propietaris” (Society of Owners),  which was in sole charge of running the Gran Teatre del Liceu from 1855 onwards, after it was legally separated from the Conservatori del Gran Teatre del Liceu.
The theatre was operated by impresarios who were given a concession to stage a specific number of productions in exchange for the proceeds from the sale of tickets not reserved for the Societat itself. This system was to endure until 1980.
 

The creation of the Consortium

By the last quarter of the 20th century this management system was no longer viable. In 1980, to avert the danger of the disappearance of an institution of such worldwide cultural renown, the Generalitat  Catalonia's first government in modern times – set up a consortium, the Consorci del Gran Teatre del Liceu, which also incorporated Barcelona City Council and the Societat del Gran Teatre del Liceu. Barcelona Provincial Council joined the Consortium in 1985, followed by the Spanish Ministry of Culture in 1986. From then on the Consortium took over operation of the theatre.

Accomodation

Buy now

Gift vouchers

Gift someone an unforgettable night at the opera.
Choose a gift coupon and let them pick the performance they love—music, drama, and world-class artistry, all in one elegant experience.
Barcelona Opera Tickets
Facebook
Payment
© 2026 RM EUROPA TICKET GmbH
Whatsapp