en
en v
Phone
Cart0 Tickets
Total: 0
Account
Calendar
Search
Menu

Dudamel conducts Scheherazade

VenueGran Teatre del Liceu
CalendarSun 04 Apr 2027
Synopsis/Details

Dudamel conducts 'Scheherazade' – With artist Shirin Neshat | Concerts & Recitals

 

'Scheherazade': when Rimsky-Korsakov’s music and Shirin Neshat’s images turn the narrative into an act of resistance

One Thousand and One Nights, a legend that compiles medieval tales from the East collected in Arabic during the Islamic Golden Age, is the perfect metaphor for storytelling as a form of resistance. With this same pulse, Rimsky-Korsakov conceived Scheherazade, a symphonic poem in which music becomes a voice that, with cunning and light, defies darkness.

With Dudamel on the podium, the orchestra becomes a fabric of successive waves: the sensuality of the solo violin, the solemnity of the woodwinds, the orchestral relief that evokes imagined ports, storms that burst forth, and oases that open like mirages.

 

This reading becomes even more intense thanks to the film by Shirin Neshat, an artist who has turned exile, identity, and silence into aesthetic material. Her images do not illustrate the music, but rather engage in dialogue with it: faces emerging from the shadows, deserts breathing like blank pages, writings that traverse the skin, and a femininity that radiates both strength and vulnerability at once. Neshat constructs a visual universe in which Scheherazade is not a mythical figure, but a contemporary voice that reclaims the power of storytelling in a fragmented world.

In this encounter, a co-production between the Gran Teatre del Liceu and the New York Philharmonic, music and image become two banks of the same river. Dudamel shapes the sonic discourse with an almost cinematic plasticity, while Neshat weaves a poetics in which body, gaze, and desert become metaphors for a struggle that still persists today.

Thus, Scheherazade resonates not as an orientalist exoticism, but as a meditation on the power of storytelling: that thread that keeps us united in times of uncertainty, that voice that will remain alive as long as someone listens. An invitation to remember that beauty—when spoken with truth—can still save us.

Cast

Countertenor: Cameron Shahbazi

Visual artist: Shirin Neshat

Symphony Orchestra of the Gran Teatre del Liceu

Conductor: Gustavo Dudamel

Co-production: Gran Teatre del Liceu and New York Philharmonic Orchestra

 

Program

Modest Mússorgski: Una nit a la muntanya pelada; (orchestration by Rimsky-Korsakov)

Nikolai Rimski-Kórsakov: Capriccio espagnol, op. 34; Scheherazade, op. 35

Venue
Gran Teatre del Liceu

Barcelona's opera house, the Gran Teatre del Liceu, was founded on the Rambla in 1847 and has continued over the years to fulfil its role as a culture and arts centre and one of the symbols of the city.

Today it is publicly-owned (by the Government of Catalonia, Barcelona City Council, Barcelona Provincial Council and the Ministerio de Educación, Cultura y Deporte) and administered by the Fundació del Gran Teatre del Liceu which, in addition to the aforementioned bodies, incorporates the Patronage Council and the Societat del Gran Teatre del Liceu (the old society of owners).
 

Origins: From 1837 to 1847

The Liceu evolved out of the Sociedad Dramática de Aficionados (Society of theatre-lovers) set up in 1837 at the instigation of Manuel Gibert in the former convent of Montsió by members of the National Militia, an organization of armed citizens with liberal leanings.
Barcelona's economy and population were growing fast at the time and the city needed a music conservatory. This led to the conversion of the Sociedad Dramática into the Liceo Filármonico Dramático Barcelonés de S.M. la Reina Isabel II (Barcelona Dramatic and Philharmonic Lyceum of HM Queen Isabel II).  In addition to its theatrical activities, the new organization cultivated Italian-style singing and music.
 

The building on the Rambla

The original building was solemnly opened on 4 April 1847. The plans had been drawn up by Miquel Garriga i Roca, subsequently assisted by Josep Oriol Mestres. The project was funded by selling shares, which meant that many of the boxes and seats were to be privately owned. The shareholders formed the Societat del Gran Teatre del Liceu, known as the “Societat de Propietaris” (Society of Owners),  which was in sole charge of running the Gran Teatre del Liceu from 1855 onwards, after it was legally separated from the Conservatori del Gran Teatre del Liceu.
The theatre was operated by impresarios who were given a concession to stage a specific number of productions in exchange for the proceeds from the sale of tickets not reserved for the Societat itself. This system was to endure until 1980.
 

The creation of the Consortium

By the last quarter of the 20th century this management system was no longer viable. In 1980, to avert the danger of the disappearance of an institution of such worldwide cultural renown, the Generalitat  Catalonia's first government in modern times – set up a consortium, the Consorci del Gran Teatre del Liceu, which also incorporated Barcelona City Council and the Societat del Gran Teatre del Liceu. Barcelona Provincial Council joined the Consortium in 1985, followed by the Spanish Ministry of Culture in 1986. From then on the Consortium took over operation of the theatre.

Accomodation

Buy now

Gift vouchers

Gift someone an unforgettable night at the opera.
Choose a gift coupon and let them pick the performance they love—music, drama, and world-class artistry, all in one elegant experience.
Barcelona Opera Tickets
Facebook
Payment
© 2026 RM EUROPA TICKET GmbH
Whatsapp